28 September 2012

Day Two: Field Trip. Task #2 & #3

#2

"when we remove a sense our others are heightened"

The second task was to eliminate one of our senses and see the space from a completely different perspective. We were paired up and blind folded one another and took it in turns to guide the other round. We were then asked to record our thoughts and feelings through innovative ways.

I recorded this stage in my sketch book, through creative work and words.

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#3

This task was recording imagery from the woods in relation to the text given. We were able to use a range of media of our choice. I chose photography and manipulated the photos to give them the intended feel of what i was searching for.

For some of my photos I wanted to take them based around one of the inspirational quotes I found from the text (quote and photographs below)...

"Soaring round the tree tops until it looked as if a vast net with thousands of black knots in it had been cast up into the air"


 I zoomed in on the tree tops and took photos of the leaves and twigs, to me this creates the image of clusters of moths flying around. These images also look similar to those of Stan Brakhage's piece 'Mothlights'. Especially the second edited photo as it has the blurred coloured edges around the moth like patterns.

I also took photos of the stones and textures around the woods. I manipulated the photos by blurring them by moving the camera whilst taking the picture. To me this has created the patterns of a moths wings...


Finally whilst it was raining I managed to capture the rain drops, although they don't quite look like the moths as intended I still found it quite magical and thought they looked like glow worms


See sketchbook for extra notes and drawings

Day Two: Field Trip. Task #1

On the second day of this project we went on a class field trip to the nearby woods. 


Here we were set four tasks to complete in order for us to engage with our senses as a exercise to help us engage with the project. (see sketch book for task instructions and notes on response)

Task One: learning to perceive.

"exploring the difference between looking and seeing, between listening and hearing, and touching and feeling..."

I took pictures of the spot where I went to sit for 15 minutes as an account so I could remember it, I took them from different angles to get all perspectives of the place and to help communicate the feelings I got from the space. I also slightly edited the photos to give them more of a magical feel as this is one of the feelings I felt from this first experience. See these below:

This final image, I found it important for me to interact with the environmental as well (especially as media art is very interactive)  found a piece of part that had a natural hole cut out of it and decided to use it as a view point. It is not as clear in the image but when doing this I was able to focus on a few leaves which were a much brighter green than the others due to the lighting, and was able to see the fine details, even though it was int he distance, through the use of this view finder.

We were asked to record our thoughts, feelings, and note down our senses at the end of the 15 minutes of sitting and taking note of the surroundings. Whilst on the field trip it rained quite heavily and the noise of the rain drops hitting against the leaves inspired me as sound art. I found the noises quite magical, and  even though I was alone in the woods I felt relaxed.


As well as photographs and sounds I recorded my feelings through words and sketches (see sketchbook)

26 September 2012

Inspirational Quotes.

From my given text, I have picked out extracts from the piece which I have found inspiring or interesting.

I did this to give my project a focus point as a central point to work from. This has also evolved from my initial mind map in my sketch book.


  • 'Moths that fly by day'
  • 'Narrow hay-coloured wings fringed with a tassel of the same colour'
  • 'Content with life'
  • 'Soaring round the tree tops until it looked as if a vast net with thousands of black knots in it had been cast up into the air'
  • 'Every twig seemed to have a knot at the end of it'
  • 'the moth fluttering from side to side of his square of the window pane'
  • 'Enormous energy of the world had been thrust into his frail and diminutive body'

In reading the text, I felt quite emotionally attached to the moth. Before reading this text I thought of moths as a pest. However in Virgina Woolf's text its almost as if the moth has been personified and I feel she is referring to human life about how we do just give up on things, but it takes something so small to change this view and to power through for life. I found myself by the end of the text close to emotional as it reminded me of my own life, and life of family members and how important it is never to give up.


Therefore it has given me ideas to create a media piece based on life/death, or even re-birth after death to show there is still hope. I will still use the idea of moths as they are really quite beautiful in a strange way considering how I felt about them before. I am always very interested in pattern colour and textures, and I feel this is why I find them so beautiful.


Stan Brakhage 'Moth Lights' 1963

After receiving the project brief and my text for this project I decided to start  researching into media forms as I am less familiar with this form of art than I am with Design for example.

As my text is about moths, I searched around for some artists/designers who had done previous work relating to this theme. One of the recommended artists was Stan Brakhage. In 1963 he was experimenting with film real, and found that the dust specks on the real looked like little creatures or patterns, and in particular moths. After developing this he came up with the short film 'moth lights'.


After seeing this piece in my first lecture, among all of the others I completely fell in love with his work. I found myself glued to the projection unable to tear my mind away from all the imaginative possibilities of what I was able to see in the projections.

I have been very inspired by the delicate patterns and texutres portrayed in his projections of this film piece and cannot wait to get started on my project and explore further the patterns and colours different materials can make to produce my own media piece, whether it be in the form of film, projections, photography, performance art or installations, as these are the main aspects I am most interested in.


The Death of the Moth



Moths that fly by day are not properly to be called moths; they do not excite that pleasant sense of dark autumn nights and ivy-blossom which the commonest yellow-underwing asleep in the shadow of the curtain never fails to rouse in us. They are hybrid creatures, neither gay like butterflies nor sombre like their own species. Nevertheless the present specimen, with his narrow hay-coloured wings, fringed with a tassel of the same colour, seemed to be content with life. It was a pleasant morning, mid–September, mild, benignant, yet with a keener breath than that of the summer months. The plough was already scoring the field opposite the window, and where the share had been, the earth was pressed flat and gleamed with moisture. Such vigour came rolling in from the fields and the down beyond that it was difficult to keep the eyes strictly turned upon the book. The rooks too were keeping one of their annual festivities; soaring round the tree tops until it looked as if a vast net with thousands of black knots in it had been cast up into the air; which, after a few moments sank slowly down upon the trees until every twig seemed to have a knot at the end of it. Then, suddenly, the net would be thrown into the air again in a wider circle this time, with the utmost clamour and vociferation, as though to be thrown into the air and settle slowly down upon the tree tops were a tremendously exciting experience.
The same energy which inspired the rooks, the ploughmen, the horses, and even, it seemed, the lean bare-backed downs, sent the moth fluttering from side to side of his square of the window-pane. One could not help watching him. One was, indeed, conscious of a queer feeling of pity for him. The possibilities of pleasure seemed that morning so enormous and so various that to have only a moth’s part in life, and a day moth’s at that, appeared a hard fate, and his zest in enjoying his meagre opportunities to the full, pathetic. He flew vigorously to one corner of his compartment, and, after waiting there a second, flew across to the other. What remained for him but to fly to a third corner and then to a fourth? That was all he could do, in spite of the size of the downs, the width of the sky, the far-off smoke of houses, and the romantic voice, now and then, of a steamer out at sea. What he could do he did. Watching him, it seemed as if a fibre, very thin but pure, of the enormous energy of the world had been thrust into his frail and diminutive body. As often as he crossed the pane, I could fancy that a thread of vital light became visible. He was little or nothing but life.


Yet, because he was so small, and so simple a form of the energy that was rolling in at the open window and driving its way through so many narrow and intricate corridors in my own brain and in those of other human beings, there was something marvellous as well as pathetic about him. It was as if someone had taken a tiny bead of pure life and decking it as lightly as possible with down and feathers, had set it dancing and zig-zagging to show us the true nature of life. Thus displayed one could not get over the strangeness of it. One is apt to forget all about life, seeing it humped and bossed and garnished and cumbered so that it has to move with the greatest circumspection and dignity. Again, the thought of all that life might have been had he been born in any other shape caused one to view his simple activities with a kind of pity.


After a time, tired by his dancing apparently, he settled on the window ledge in the sun, and, the queer spectacle being at an end, I forgot about him. Then, looking up, my eye was caught by him. He was trying to resume his dancing, but seemed either so stiff or so awkward that he could only flutter to the bottom of the window-pane; and when he tried to fly across it he failed. Being intent on other matters I watched these futile attempts for a time without thinking, unconsciously waiting for him to resume his flight, as one waits for a machine, that has stopped momentarily, to start again without considering the reason of its failure. After perhaps a seventh attempt he slipped from the wooden ledge and fell, fluttering his wings, on to his back on the window sill. The helplessness of his attitude roused me. It flashed upon me that he was in difficulties; he could no longer raise himself; his legs struggled vainly. But, as I stretched out a pencil, meaning to help him to right himself, it came over me that the failure and awkwardness were the approach of death. I laid the pencil down again.


The legs agitated themselves once more. I looked as if for the enemy against which he struggled. I looked out of doors. What had happened there? Presumably it was midday, and work in the fields had stopped. Stillness and quiet had replaced the previous animation. The birds had taken themselves off to feed in the brooks. The horses stood still. Yet the power was there all the same, massed outside indifferent, impersonal, not attending to anything in particular. Somehow it was opposed to the little hay-coloured moth. It was useless to try to do anything. One could only watch the extraordinary efforts made by those tiny legs against an oncoming doom which could, had it chosen, have submerged an entire city, not merely a city, but masses of human beings; nothing, I knew, had any chance against death. Nevertheless after a pause of exhaustion the legs fluttered again. It was superb this last protest, and so frantic that he succeeded at last in righting himself. One’s sympathies, of course, were all on the side of life. Also, when there was nobody to care or to know, this gigantic effort on the part of an insignificant little moth, against a power of such magnitude, to retain what no one else valued or desired to keep, moved one strangely. Again, somehow, one saw life, a pure bead. I lifted the pencil again, useless though I knew it to be. But even as I did so, the unmistakable tokens of death showed themselves. The body relaxed, and instantly grew stiff. The struggle was over. The insignificant little creature now knew death. As I looked at the dead moth, this minute wayside triumph of so great a force over so mean an antagonist filled me with wonder. Just as life had been strange a few minutes before, so death was now as strange. The moth having righted himself now lay most decently and uncomplainingly composed. O yes, he seemed to say, death is stronger than I am.